L’Officiel in collaboration with TEDxDaltVila : Coco Francavilla
Coco Francavilla is an Italian composer, producer and sound engineer living in Ibiza. With more than 25 years in the industry, she fuses electronic and classical music to craft immersive soundscapes. She has previously collaborated with Tricky from Massive Attack and contributed to the soundtrack to Blade Runner 2049. She also founded WIDER SOUNDS and MusicForTheSea.org, combining her love of music with marine conservation.
What first drew you into the world of music and how has your journey evolved?
Music has always been a part of my life. Growing up in Rome, I started studying classical guitar at a young age. But I was also drawn to more experimental and electronic sounds, which led me to explore different styles. Over time, my journey has been about merging these influences - combining the structure and discipline of classical music with the freedom and innovation of electronic and ambient compositions.
How does composing for film differ from creating your own music?
When you're composing for film, your music has to serve the story. It’s about enhancing emotions, creating tension, and guiding the audience through a journey. You have to be very mindful of the visuals, the pacing and the director’s vision. You don’t want to overpower the scene but rather complement it. On the other hand, when I create my own music, I have complete freedom to explore sound in a more abstract way. It’s more personal and intuitive, but I still love both processes because they challenge me in different ways.
You’re also deeply involved in sound healing and vibroacoustic therapy. What led you to explore this field and how do you integrate these practices into your music?
I’ve always been fascinated by the relationship between sound and the human body. Sound waves have a profound effect on our brain and nervous system, and certain frequencies can induce relaxation, focus or even deep emotional release. A few years ago, I started studying sound therapy and vibroacoustic techniques, using instruments like Tibetan singing bowls, hand pans and modular synths to create immersive experiences. Now, I incorporate these elements into my live performances and ambient sets. It’s about using music not just as entertainment, but as a tool for well-being.
Environmental activism is another big part of your work, particularly through your initiative, Music for the Sea. Can you tell us more about that and why ocean conservation is important to you?
The ocean has always been a source of inspiration and peace for me. Music for the Sea is my way of raising awareness and supporting conservation efforts through art. We organise events, collaborations and sound-based experiences to educate people about the importance of protecting our oceans. I believe that music has the power to connect people to nature on a deeper level, and if we can inspire even a small shift in consciousness, it’s a step in the right direction.
What advice would you give to artists who want to blend creativity with activism?
Follow your passion and stay authentic. If you truly care about something, let it guide your work, whether it’s through the messages in your music, the way you perform or the projects you support. Don’t be afraid to explore unconventional paths - art and activism can take many forms. Also, surround yourself with people who inspire and challenge you. Collaboration is key, and when artists come together with a shared purpose it can be really powerful. Ultimately, if your work comes from a genuine place, it will resonate with others.
Ibiza's Council of Culture supports TEDxDaltVila in helping to promote and explore new horizons in education, technology and creativity.
